ARTICOLI / 3 / Federico Vercellone /
How can we conceive the universality of hermeneutics in the Age of “world picture”? How is the Hermeneutic view of the world, tied to “mechanical” technology, modified by digital technology? And how can we understand the universality of hermeneutical comprehension and interpretation in the civilization of the image? In this frame we can hypothesize a transformation of ontological hermeneutics into morphology.