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		<title>Primum in orbe deos fecit tempus? Una nota sulla storiografia e i regimi di storicità nella filosofia dei Lumi</title>
		<link>https://www.losguardo.net/en/primum-in-orbe-deos-fecit-tempus-una-nota-sulla-storiografia-e-i-regimi-di-storicita-nella-filosofia-dei-lumi-2/</link>
		
		<dc:creator><![CDATA[Lo Sguardo - Rivista di Filosofia]]></dc:creator>
		<pubDate>Sun, 03 Nov 2024 11:37:06 +0000</pubDate>
				<category><![CDATA[#37]]></category>
		<category><![CDATA[37-rev]]></category>
		<category><![CDATA[Enlightenment]]></category>
		<category><![CDATA[Ernst Cassirer]]></category>
		<category><![CDATA[Historiography]]></category>
		<category><![CDATA[Language]]></category>
		<guid isPermaLink="false">https://www.losguardo.net/?p=5956</guid>

					<description><![CDATA[<p>DISCUSSIONI / Matteo Marcheschi / Primum in orbe deos fecit tempus? A note on historiography and regimes of historicity in Enlightenment philosophy In this paper, I discuss how philosophical historiography has addressed the issue of Enlightenment temporal conception, starting from Ernst Cassirer’s Die Philosophie der Aufklärung. Steering clear of both the classical and simplistic view...</p>
<p>The post <a rel="nofollow" href="https://www.losguardo.net/en/primum-in-orbe-deos-fecit-tempus-una-nota-sulla-storiografia-e-i-regimi-di-storicita-nella-filosofia-dei-lumi-2/">Primum in orbe deos fecit tempus? Una nota sulla storiografia e i regimi di storicità nella filosofia dei Lumi</a> appeared first on <a rel="nofollow" href="https://www.losguardo.net/en/homepage-eng">Lo Sguardo | Rivista di Filosofia Online</a>.</p>
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		<title>Trasparenze e opacità dei segni nell’estetica tedesca del XVIII secolo. Discussione di A. Nannini&#8221;, Il segno e l’immagine. Estetica e semiotica delle arti da Du Bos a Lessing&#8221;, Mimesis 2023</title>
		<link>https://www.losguardo.net/en/trasparenze-e-opacita-dei-segni-nellestetica-tedesca-del-xviii-secolo-discussione-di-a-nannini-il-segno-e-limmagine-estetica-e-semiotica-delle-arti-da-du-bos-a-lessing-mimes-2/</link>
		
		<dc:creator><![CDATA[Lo Sguardo - Rivista di Filosofia]]></dc:creator>
		<pubDate>Sun, 03 Nov 2024 11:30:26 +0000</pubDate>
				<category><![CDATA[#37]]></category>
		<category><![CDATA[37-rev]]></category>
		<category><![CDATA[Enlightenment]]></category>
		<category><![CDATA[Language]]></category>
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					<description><![CDATA[<p>DISCUSSIONI / Leonardo Lenner/ Transparencies and Opacities of Signs in 18th-century German Aesthetics Following the historical reconstruction outlined by A. Nannini in his recent volume, Il segno e l’immagine, we can identify the concepts of transparency and opacity as the two central poles around which the interplay of semiotics and aesthetics evolved in 18th century...</p>
<p>The post <a rel="nofollow" href="https://www.losguardo.net/en/trasparenze-e-opacita-dei-segni-nellestetica-tedesca-del-xviii-secolo-discussione-di-a-nannini-il-segno-e-limmagine-estetica-e-semiotica-delle-arti-da-du-bos-a-lessing-mimes-2/">Trasparenze e opacità dei segni nell’estetica tedesca del XVIII secolo. Discussione di A. Nannini&#8221;, Il segno e l’immagine. Estetica e semiotica delle arti da Du Bos a Lessing&#8221;, Mimesis 2023</a> appeared first on <a rel="nofollow" href="https://www.losguardo.net/en/homepage-eng">Lo Sguardo | Rivista di Filosofia Online</a>.</p>
]]></description>
		
		
		
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		<title>Recensione di O. K. Schwarz, &#8220;Rationalistische Sinnlichkeit. Zur philosophischen Grundlegung der Kunsttheorie 1700 bis 1760. Leibniz-Wolff-Gottsched-Baumgarten&#8221;, De Gruyter 2022</title>
		<link>https://www.losguardo.net/en/recensione-di-o-k-schwarz-rationalistische-sinnlichkeit-zur-philosophischen-grundlegung-der-kunsttheorie-1700-bis-1760-leibniz-wolff-gottsched-baumgarten-de-gruyter-2022-2/</link>
		
		<dc:creator><![CDATA[Lo Sguardo - Rivista di Filosofia]]></dc:creator>
		<pubDate>Sun, 03 Nov 2024 11:21:33 +0000</pubDate>
				<category><![CDATA[#37]]></category>
		<category><![CDATA[37-rev]]></category>
		<category><![CDATA[Christian Wolff]]></category>
		<category><![CDATA[Enlightenment]]></category>
		<category><![CDATA[Johann Georg Zur Linden]]></category>
		<category><![CDATA[Language]]></category>
		<guid isPermaLink="false">https://www.losguardo.net/?p=5951</guid>

					<description><![CDATA[<p>RECENSONI / Antonio Mendicino Il libro di Olga Katharina Schwarz cerca di superare la dicotomia nella teoria dell’arte tra estetiche razionaliste e sensiste, che ha avuto molta fortuna a partire dalla formulazione kantiana. In prima battuta Schwarz argomenta tale tesi mostrando l’originale interpretazione della sensibilità da parte di Wolff, che viene considerato dall’autrice un apripista...</p>
<p>The post <a rel="nofollow" href="https://www.losguardo.net/en/recensione-di-o-k-schwarz-rationalistische-sinnlichkeit-zur-philosophischen-grundlegung-der-kunsttheorie-1700-bis-1760-leibniz-wolff-gottsched-baumgarten-de-gruyter-2022-2/">Recensione di O. K. Schwarz, &#8220;Rationalistische Sinnlichkeit. Zur philosophischen Grundlegung der Kunsttheorie 1700 bis 1760. Leibniz-Wolff-Gottsched-Baumgarten&#8221;, De Gruyter 2022</a> appeared first on <a rel="nofollow" href="https://www.losguardo.net/en/homepage-eng">Lo Sguardo | Rivista di Filosofia Online</a>.</p>
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